How Does Walter in a Raisin in the Sun Value His Family

Introduction to A Raisin in The Sun

A Raisin in The Dominicus is a pop play by Lorraine Hansberry. It was performed for the get-go time in 1959. Hansberry has borrowed the title from a pop verse form by Langston Hughes, "Harlem." The play revolves around an African American family unit living in Chicago who wants to bring improvement in its status through the insurance that their widowed mother, Lena Younger, is going to receive after her married man's decease. All the family members are dreaming of having a better lifestyle afterward having this corporeality, but their dreams ended in smoke when the money seems to have gone as easily as information technology has come.

Summary of A Raisin in The Lord's day

The play presents the story of a few weeks from the life of the Youngers family, an African American family living in the poor neighborhood of Chicago's Southern expanse during the 50s. The play starts with the Youngers discussing how to spend the money they are going to receive from an insurance company after the expiry of their patriarch. The total amount of the policy is $10,000 to be received through a check. Every bit the money is expected to make it, all the family members are presenting their individual ideas on how to spend the money advisedly not to let it go wasted. Each i of them has an idea. Mama, Lena, the mother of the Youngers, knows the importance of a firm, the reason that she insists that they must purchase a firm in some good neighborhood.

However, Walter Lee, the male member of the family has his own plans; he wants to make an investment in the liquor business organisation with the partnership of his friend Bobo and Willy, the street-smarts. His optimism about the success of his investment has fabricated him gleeful so much so that he hoodwinks the family unit by giving the coin to Willy for the liquor shop investment in his hope to reveal it later when he succeeds. Despite his optimism, he is unable to convince fifty-fifty his own married woman who conjoins his mother in having a house of their own. Too, Mama disagrees with the plan because it is against organized religion. Still, she gives the remainder of the money to Walter for the business concern investment on the condition of reserving three thousand dollars for her daughter'south education.

During these 2 supposedly relieving plans, the female person member, Beneatha, Walter's sis has her own plan of pulling the family out of this mess through the money she wants to use in her medical education. She is the representation of 'new woman' as confronting the traditional opinion of a female character. Similar her name, everyone is below her. She was self-centered at the start of the playmaking the family sacrifices their desires to accommodate her expensive hobbies, which keep changing from fourth dimension to time. Her love interests George Murchison, and Joseph Asagai influences her life choices. George was a wealthy blackness man who tries to ignore the accomplishments of black people and fit into this white-dominated club and a narcissist who shows off in front of Beneatha past talking about intellectual concepts.

Whereas Joseph, a Yoruba student teaches Beneatha the rich culture and heritage of her ancestors in Africa and embraces her identity as a black woman. He after proposes to marry him and get dorsum to Nigeria and go on her medical practice. Beneatha thinks that as the family does non desire to join the world ruled by the white, she resorts to her identity recognition by recalling African heritage at the end of the play.

The competing dreams of the Younger family members brand them unable to reconcile with each other. Meanwhile, Ruth, the wife of Walter Lee, comes to know about her pregnancy that she thinks would add to the family's fiscal woes. When both husband and married woman are because the ballgame, Mama, the matriarchal figure of the house, pays down payment for the purchase of the house. Her idea of having their own residence in Clybourne Park may help the family pull out of poverty. On the other manus, the local people send their representation, Mr. Lindner with an offer for them to stay away from the area past giving them money. This house is located in Clybourne Park, an entirely white neighborhood. When the Youngers refuse, Walter faces the stark reality of losing his investment through his friend, Willy Haris, who has run away with his money. Albeit, the family learns that they lost the money to Willy they turn down to take money from Mr. Linder.

Beneatha also adds to the family bug past rejecting George Murchison and accepting Joseph Asagai who wants her to complete her medical instruction starting time. During the breakup with Beneatha, George says that he didn't show interest in her considering they could talk well-nigh 'quiet agony. Although the family moves to the new firm, the future is not condom simply they are optimistic almost staying united to win success and live a better life.

Major Themes in A Raisin in The Sun

1. The American Dream: The play shows the theme of the American Dream through the Younger family. Each member of the family unit has a unique dream that they want to materialize with the insurance money of their patriarch. However, the best dream whatever of them has is of Mama who thinks that having a skillful house in a decent, white locality would provide a improve hereafter to the side by side generation. Walter's dream of having a good liquor store, too, is an American Dream, though, it is another affair that he trusts his partner who runs away with it. Similarly, Beneatha's dream of having a medical degree could exist associated with an individual American Dream. Nonetheless, it is Mama'south American Dream in which lies the dream of everyone; a improve house in a better neighborhood, the reason that Walter flatly refuses to budge from his stand afterwards when facing Mr. Lindner.
2. Female Identity: The play presents three towering feminine figures in the play; Mama, who is heading the family after the death of her hubby and has a claim over her husband's insurance money, her daughter Beneatha who sees the family future in her own prospect every bit a medical professional person and Ruth, her daughter-in-law who sees the hereafter of her children. All three of them strive against the patriarchal figure of Walter Lee who dreams of becoming a adept investor by investing the insurance money in the liquor business with his partner. Although he wastes the coin, Mama'due south idea of having a firm of their own rules supreme in the end. Beneatha also takes the lead by turning away Murchison and challenges Walter's narrow-mindedness.
3. Masculinity: The play shows the theme of masculinity in the debilitating role of Walter Lee when he shirks from his responsibility of taking the lead and helping the family stand up upward to face the prejudice prevalent in Chicago and economic challenges. Instead, he squanders away the coin of his male parent's insurance, he feels that his dream of sending his son to college and purchasing a Cadillac were merely wishful thinking of a boyfriend. He comes to the bespeak and ultimately rejects Mr. Lindner'due south offer of leaving the neighborhood to find some other place for their house for which her mother has already paid.
4. African Identity: The theme of African identity in the play, A Raisin in the Sun, is obvious, for it is a play of the Youngers, an African American family, facing prejudice on fulfilling their Mama'due south desire of having a firm in the white neighborhood. Even before they shift, Mr. Lindner comes to warn them to stay away and makes an offer. This prejudice reminds the Youngers of their groundwork. The arrival of Asagai and Beneatha's love for him makes it more than prominent when she becomes besides eager to learn well-nigh African heritage.
5. Class Differences: The theme of class differences is accentuated when Mama advises all her children that getting a house in the white neighborhood in the metropolis of Chicago is their central to the future. However, Mr. Lindner's arrival shows them the reality that they can become more money by not raising their status which, in his words, is not moving to their locality. This course departure, in the words of Mr. Lindner, would cause rift and unease in their neighborhood that they do not desire. However, the final refusal of Walter Lee is rather an intransigence when the Youngers see this difference equally an obstacle to their efforts for their future improvements.
6. Significance of Family: The theme of the significance of family has been shown through Mama'southward taking atomic number 82 in thinking that a permanent identify at skillful locality would rather atomic number 82 to family unit's meliorate future than the success of each individual, though it could be that Walter Lee'south investment could also lead to the same success. However, Walter Lee's stupidity of trusting every private without consulting the commonage family unit wisdom leads him to squander coin rather quickly. The same goes for Beneatha's case as she is likewise thinking on individual lines for her medical success merely, for if she succeeds it is only her success, while in Mama'south success lies the success of every private on business relationship of her centrality in the household.
7. Marginalization of African Americans: Earlier the Civil Rights Movement, African Americans were not seen as equals. Mama sees her efforts after receiving her husband's insurance coming to fruition. However, she is unaware of the forcefulness of the hatred of the white community that information technology could be potent enough to hinder their move to a better neighborhood. The final intransigence to Mr. Lindner's suggestion after some thoughts to his lucrative offer in return for their decision of not moving invites second thought of refusal from Walter Lee. It is because he sees it equally an effort of marginalization of their family unit on the footing of racial difference.
8. Hopes and Aspirations: The play shows the theme of hopes and aspirations in the dreams of the Youngers. Every Younger private harbor a dream; Mama's dream of having a house in a practiced neighborhood, Walter Lee's dream of having a good business to uplift their status, and Beneatha'due south dream of having a medical degree. But the fulfillment of the hopes and aspirations of all the Youngers depends on the insurance money. Once it is squandered past Walter Lee, all of them face up frustration and disappointment.
9. Pride: The theme of pride rules supreme in the play in that the Youngers have little else to lose except their pride. Therefore, when information technology comes to their pride in having a business firm, they furiously turn to intransigence toward Mr. Lindner for making them stay away from the locality.
10. Lack of Communication: The theme of communication is significant every bit every individual in the Younger household is unable to communicate what they want to do. Although Walter Lee takes the lead, he as well knows that Mama, Beneatha, and even his wife Ruth have failed to sympathise his investment. This is a lack of advice that none of them could talk or understand each other'south plans or desires.

Major Characters of A Raisin in The Sun

1. Walter Lee Younger: Walter Lee Younger is the only patriarch in the family and likewise the just person to take tried to materialize his dream though without any tangible success. Son of Mama and her late husband, Walter is married to Ruth with two children. His driving job is assisting the family to brand both ends come across, while Beneatha is simply a helping hand. His just aspiration is to start his business equally a liquor store that would grow and alter the family fortune. However, his unpredictable behavior causes the loss of business in which his friend, Willy, steals the invested money, and the only hope of the family of having a patriarch leading the way ends up in smoke.
2. Lena Younger (Mama): Mama, the dominating matriarchal figure of the family, is Lena Younger, whose husband, Walter senior, has recently died, leaving for his family a good sum of $10,000 of his insurance policy. Mama's sanguinity lies in thinking almost having a proper house in some good locality that could improve the family fortune. The sanguinity of her suggestion and and then the payment of the down payment bear witness significance when Walter Lee sees his money gone with his friend who has fled. Her wisdom has saved them from full failure, and they accept something to have a stand confronting Mr. Lindner'south unjust offer.
3. Beneatha Younger: Beneatha Younger is the modernistic face of the Younger family having innovating thinking and a new philosophical arroyo toward her own race. She thinks that her medical education could pull the family out of this mess. Her rigors on her speech improvement show its results in her talkativeness. She discusses philosophical ideas of religion, grade, race, and educational activity with her fiancé also every bit family unit members. Still, her American Dream of improving her career seems to be selfish and individualistic.
4. Ruth Younger: Ruth is a source of the time to come generation as Travis'southward mother and the married woman of Walter Lee. Living in a constant tension of improvised living and poverty has taken years from her life, making her old earlier her fourth dimension. Working constantly has kept her busy for a decade yet she does not complain and constantly nudges Walter to do more than for their son.
5. Joseph Asagai: Asagai is non just the fiancé of Beneatha but he also seems to be her philosophical mentor who fills her mind with new ideas about their rich heritage and racial privilege. His Nigerian roots have fabricated him proud of his race, forcing him to realize Beneatha that she is not from the junior race. He desires to take her to Nigeria afterwards their marriage.
6. George Murchison: Although not superior to Asagai, Murchison is another suiter of Beneatha who constantly courts her and succeeds, too. Even so, his willingness to be subservient to the white culture does not print Beneatha much on business relationship of his competitive rather than collaborative approach to life.
7. Travis Younger: As the simply male child in the household, Travis is suffering from the slackness and stupidity of his father, Walter Lee, who does not take practiced piece of work and a career. He has had to work to earn money besides playing with the neighboring children. His household life is restricted to the sofa in that dingy, little apartment.
8. Mr. Karl Lindner: Mr. Lindner represents not only the white customs but also the white thinking about the African American community. His coaxingly threatening warnings fall apartment when he confronts Walter and Mama. Although his offer sways his stance at abode, Walter, afterwards, stands upwards to face him, rejecting his offer.
9. Willy Harris: Although Willy Harris is Walter's friend, he does non appear on the stage and merely gets mentioned when he starts a liquor business or runs away with the money.
10. Mrs. Johnson: A neighborhood lady, Mrs. Johnson's significance in the play lies in her persuasion of the family for not leaving the neighborhood.

Writing Mode of A Raisin in The Sunday

A Raisin in the Sun is written by Lorraine Hansberry. She used the dialect of the African American customs that is not but distinct just as well pure. The characters speak in their domestic setting and individual style every bit Beneatha and Asagai testify their superior and formal didactics fifty-fifty in everyday conversation, while Mama, Mrs. Johnson, and Ruth demonstrate their crude language. The diction and tone of the play, too, suit the customs, neighborhood as well as main audition. Lorraine mostly turns to irony, sarcasm, and other devices of figurative language to brand her dialogs effective.

Analysis of the Literary Devices in A Raisin in The Sunday

1. Activeness: The principal action of the play comprises the American Dream of the Youngers that they are going to realize on an individual level from the insurance money they are going to get after the death of the patriarch. The rising activeness occurs when Ruth Walter comes to know about her pregnancy and the falling action occurs when Walter Lee comes to know that his coin is gone.
2. Anaphora: The play shows examples of anaphora such as,
   i. Anybody who talks to me has got to be a good-for-nada loudmouth, ain't he? And what y'all know about who is just a expert-for-nada loudmouth? Charlie Atkins was just a "good-for-nothing loudmouth" too, wasn't he! When he wanted me to go in the dry-cleaning business organisation with him. And now—he'south grossing a hundred thousand a year (Human action-I)
   ii. yous just sip your java, come across, and say easy like that you been thinking 'tour that deal Walter Lee is so interested in, 'bout the store and all, and sip some more java, like what you lot saying ain't really that important to you— And the next thing you lot know, she exist listening good and asking y'all questions and when I come habitation —I can tell her the details. This ain't no ɻy-by-night suggestion, baby. I mean we ɹgured it out, me and Willy and Bobo.
   3. You ain't looked at it and you don't aim to have to speak on that over again? Yous own't fifty-fifty looked at information technology and you accept decided— (Act-2)
   The examples show the repetitious use of "practiced-for-null", "sit your coffee" and "You own't."
3. Allusion: The play shows good use of unlike allusions as given in the below examples,
   i. Asagai—Joseph Asagai. He's an African male child I met on campus. He's been studying in Canada all summer. (Act-I)
   ii. I am from the Clybourne ParkImprovement Association and we accept had it brought to our attention at the last coming together that you people—or at least your female parent—has bought a slice of residential property at. (Act-II)
   3. BENEATHA George Murchison! I wouldn't marry him if he was Adam and I was Eve! (Deed-Iii)
   The first example shows the reference to a region, the second to a identify in Chicago, and the third to Adam and Eve.
4. Antagonist: Walter Lee Younger is the antagonist likewise every bit the protagonist of the play. It is because he not only squanders the money only likewise becomes a responsible patriarch by the end of the play afterward he refuses Mr. Lindner's offering.
5. Conflict: The play shows both external and internal conflicts. The external conflict is going on between the Youngers and the economic situation including the white authority, while the internal disharmonize is going on in Walter Lee'south mind about his responsibility and his attitude.
6. Characters: The play, A Raisin in The Sunday, shows both static every bit well every bit dynamic characters. Lena Younger and Walter Lee both are dynamic characters as they show a considerable transformation in their beliefs and conduct by the end of the play. However, all other characters are static as they practice non show or witness any transformation such every bit Mrs. Johnson, Beneatha, Ruth, Lindner, and even Asagai.
7. Climax: The climax in the play occurs when Bobo arrives to inform the Youngers that Willy has run away with their invested money.
8. Epigraph: The play shows the apply of the epigraph as given in the case beneath,
   i. What happens to a dream deferred?
   Does information technology dry up
   Like a raisin in the sun?
   Or fester similar a rose –
   And then run?
   Does it sink similar rotten meat
   Or crust and sugar over –
   Similar a syrupy sweet?
   This short extract from the poem of Langston Hughes shows the use of an epigraph.
9. Foreshadowing: The play shows many instances of foreshadows equally given below,
   i. Yous mean you didn't read 'tour them colored people that was bombed out their place out there. (Act-I)
   The mention of colored and bombed shows the state of affairs that the Youngers are going to face up in the expanse where they move.
10. Hyperbole: The play shows various examples of hyperboles such equally,
    i. And then you would rather be Mr. Arnold than be his chauʃeur. So—I would rather be living in Buckingham Palace. (Human activity-I)
    2. I seen one marching out of in that location like Napoleon yesterday. (Act-I)
    Both of these examples exaggerate things equally Walter cannot be Arnold nor can he live in Buckingham Palace. Also, nobody can be Napoleon.
11. Imagery: Imagery is used to make readers perceive things involving their 5 senses. For example,
    i. It is morning dark in the living room, TRAVIS is asleep on the
    make-down bed at center. An warning clock sounds from within the chamber at right, and before long RUTH enters from that room and closes the door backside her. She crosses sleepily toward the window. Every bit she passes her sleeping son she reaches down and shakes him a footling. At the window she raises the shade and a dusky Southside morning time light comes in feebly. She calls a pot with water and puts information technology on to boil. She calls to the boy, between yawns, in a slightly muffled phonation. (Act-I)
    ii. She cannot assist speaking directly to him. An imploring quality in her voice, her mode, makes her nigh like a girl now. (Two)
    These two examples show images of calorie-free, color, movement, and sound shown in the instructions of the play.
12. Irony: The play shows the employ of irony when Bobo comes to the Youngers to inform them that Willy has run away with the money, a fact that the audiences are already aware of just the Youngers are not.
13. Metaphor: A Raisin in The Lord's day shows good utilize of diverse metaphors as given in the examples beneath,
    i. So you lot would rather be Mr. Arnold than exist his chauʃeur. So—I would rather be living in Buckingham Palace. (Human action-I)
    two. And then you butchered up a dream of mine—you—who always talking 'bout your children's dreams …. (Act-2)
    iii. You lot mean you own't read 'bout them colored people that was bombed out their identify out there?. (Act-II)
    These examples testify that several things accept been compared directly in the novel such as the starting time shows comparing her husband to Mr. Arnold, the second shows comparing Mama to a butcher, and the third shows white people as soldiers throwing bombs at the colored people.
14. Mood: The play, A Raisin in The Sunday, shows various moods; information technology starts with quite a realistic and bitter mood merely becomes highly sarcastic and critical with the passage of time until information technology reaches its end which is depressive and serious.
15. Motif: Most important motifs of the play are music, coin, Beneatha's pilus, and business firm.
16. Protagonist: Walter Lee is the protagonist of the play, A Raisin in The Sun. The reason is that it is he who shows his patriarchal responsibleness by the end despite losing money.
17. Setting: The setting of the play, A Raisin in The Sun, is the poor neighborhood of the South Side of Chicago.
18. Simile: The play shows adept utilise of diverse similes equally given in the examples below,
    i. About to march out of here with that head looking just like chickens
    slept in it. (Human activity-I)
    ii. I e'er thinks similar Booker T. Washington said that fourth dimension— "Educational activity has spoiled many a adept plow hand"—. (Human activity-Ii)
    3. Walter Lee, fix your tie and constrict your shirt in, you await like somebody'southward hoodlum! (Deed-Iii)
    These are similes as the use of the give-and-take "like" shows the comparison between different things. For instance, the first i shows this comparison betwixt the head and the coop, and and so between Walter and Washington, and then between Walter's appearance and that of hoodlums.

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